Vote for Great Color and Design

Happy election day to everyone here in the U.S.! I cast my vote yesterday (love mail-in balloting); I also cast another vote several weeks ago when I pre-ordered the new Crochet Noro book. When I received it at the end of last week, I could hardly wait to sit and pour over it. I was not disappointed.

Where to begin? Well, let's start with the designs. There's a little something here for everyone - sweaters, accessories, interior design pieces, and jewelry. Each pattern is marked with a skill level: one box is easiest, four boxes for the seasoned crocheters out there. Personally, I find several of the designs deceptively simple, and for good reason - the yarn is the star here, so no need for intricate stitches (more on this below). There's also a lot of motif-based designs - a full quarter of the designs in the book are accomplished with motifs. I love a great motif, so I'm all for this. More involved patterns (including all of the motif-based designs) include charts as well as written instructions.

The collection also brings together most of the big names in crochet design - Robyn Chachula, Doris Chan, Lily Chin, Yoko Hatta, Linda Permann and Mary Beth Temple just to name a few. Of some note: a full 8 designs (just slightly more than a quarter of the collection) belong to Yoko Hatta. Incredible. Three of my absolute favorites include two from Hatta - the Boxy Cardigan and the Puff Stitch Cowl. I'm also partial to Lily Chin's Chevron Hat. Her great use of yarn and stitch makes the cap look like a piece of jewelry. I've also fallen hard for the Buttons & Flowers Shawl - what a great design concept for a shawl. Buttons at the center of each motif make customizing fit a breeze as well as ensuring it stays around the shoulders. Just genius. I even have loads of similar mother-of-pearl buttons. Hmmmmm.

 

But let's not stray too far from what we're all head-over-heels in love with: that great Noro color! This lushly styled and photographed collection is a feast for the eyes. With each flip of the page, you will have an intake of breath at the color explosion. The pieces run the gamut of color - from deep, earthy fall to bubble-gum-inspired to jewel-toned. No matter your color palette preference, there's something here for everyone. I really appreciate the wonderful layering of color in each photo. It really speaks to me as a painter (as well as a home cook). Layering is the name of the game, and the wonderful Noro colors are showcased to perfection.

I've had four skeins of Kureyon in the discontinued number 221 colorway (greens, purples and peach) just waiting for the right project. You know I broke out hook and Kureyon and in two days flat whipped up the Puff Stitch Cowl. Hatta's pattern calls for 6 skeins; I augmented my four with an unknown (but perfectly coordinated) aran weight yarn from Vivian over at Bits 'n Pieces and wound up with a lush cowl just 7" shorter than the original:

My version of the Puff Stitch Cowl, made
with 4 skeins Noro Kureyon (colorway 221) and
augmented with an aran-weight wool

 

This cowl is a simple 4-row repeating pattern, constructed flat and then seamed at the end. I wet-soaked in a small amount of hair conditioner and blocked prior to seaming and the yarns bloomed and softened nicely. I cannot tell you how much I love the color in this cowl.



The back of my Puff Stitch Cowl

If you haven't gotten the message yet - I love, love, love Noro yarns, and I am thrilled with this new Crochet Noro book. Run, don't walk, to your local bookstore and pick it up. I think it might sell out quickly. Sixth & Spring is on a crochet roll this year (with the special crochet edition of Vogue Knitting earlier in the year) and I couldn't be happier.

Er, well, I might be if they would invite me to submit a design or two ... but that's another story for another day.

On Vegetative Matter

Recently, I wrote about some handspun I'm using, and described it as including a very small amount of vegetative matter. I didn't realize at the time that my words would cause any discomfort, because I actually like a little vegetative matter in my yarn every now and then. Let me explain.

I'm a big lover of Noro yarns, especially Noro Kureyon. I think it is a stroke of genius on the part of Mr. Noro that he keeps a small portion of "the world of nature" in each

See the lovely Noro Kureyon on the top left side?

skein of Kureyon worsted weight. It is a subtle reminder of the process that produces the gorgeously-colored yarn that will become some thing that will bring me and others yarny, creative joy.

I also know that not everyone agrees with me regarding Noro Kureyon. I have had several exchanges with others who have expressed their dissatisfaction with either Kureyon's vegetative matter or its slightly rougher-than-normal texture. And, of course, vegetarians and vegans also couldn't be too thrilled to find reminders of the animals that produced the fiber, no matter how vegetative the form of the reminder. 

However, in a world of mass production and over processing (in yarns and every other aspect of our culture) I like Kureyon's more rustic characteristics. It has a definite place in my design scheme, alongside all the more refined yarns (and you can inject your favorite yarn of choice here - Kidsilk Haze, Tilli Tomas, Sundara - the list is longer than my arm).

All of which brings me back to the wonderful handspun I'm currently working with. I like the fact that I know exactly which animal, from which farm, and through whose hands this exact vegetative matter passed before it got to my project.

So to those of you awesome handspinners: proudly embrace your vegetative matter. It is a rustic, beautiful, unique thing. And I like it exactly that way, thank you very much.

Fee-Fi(ber)-F.O. Friday

This week is brought to you by mittens central.

A little while back, while running errands (which I usually do on foot because I love to walk), I lost one of my favorite mittens. I loved these mittens. They weren’t hand-made, but they were thick and the warmest mittens I’d ever owned. I was so dejected when I realized I had lost one, because I knew I would never find it. I was certain that, by the time I'd realized I was down one mitten, some car had already dragged it under its tire to an untimely death.

So, crafty person that I am, I made myself a new pair of mittens. Welcome to the world my Woolly Mammoths:

These are my interpretation of Lyn Robinson’s Friendship Mittens pattern. I’ve crocheted them using an H hook with one strand of Noro Kureyon and one strand of mohair held double throughout. The pattern is written so that one can customize the cuff length and upper portion (past the thumb opening) to better fit one’s hand. I did just that … as well as shortening the thumb just slightly. They fit me so well, and I love their rustic look and feel.

However, since this is the second pair of mittens I’ve made in less than a month, I thought some comparisons were in order:

As I had previously written about my Fuzzy Little Luxury, my red mittens are shockingly red. There’s nothing rustic about them – they are embroidered, so delicate in one sense, yet bold in another. They were knit from the cuff up, on straight needles, with a seam to sew at the end. (Knitting them flat helps with the ability to embroider them). The thumb is knit as you go. It might be my current reticence to fudge with knit directions (since I’m still learning techniques left and right), but I do wish I would have shortened both the thumbs and the upper portions of these mittens. Nevertheless, they will go perfectly with one of my winter coats – which is red – and I absolutely love them.

My Woolly Mammoths are also super, but for very different reasons. They will definitely become my workhorse mittens. The ones I reach for again and again during any winter season. Even though I used one fiber that is traditionally chock-full of color, the other fiber - the mohair - in these mittens is the color of café au lait. As a result, they are almost neutral, which is great for wearing them with almost any other color. I also love their cables and slightly stubby look – they’re long enough in the cuff to keep my wrists warm (forget about that annoying gap

between mitten and coat edge!), yet short enough in the thumb and upper area to be comfortable. Additionally, the thumb is crafted after the rest of the mitten is complete - another good way to ensure good thumb fit. They were also quick to work up -taking me two days – surpassing all previous personal speed records. Finally, I thoroughly enjoyed customizing them for my hands – it gave me a feeling of real craft mastery. Doesn’t take much for me, I guess.

Let me leave you with photos of my finished Inspira Cowl. Talk about pride – oohhhh weeeee am I proud of this:

Have a great, crafty weekend!