This piece, while spanning most of their careers, focuses mainly on their early, formative years. It is a fascinating study - these two were far more alike than, I expect, each was ever willing to admit. Chanel always sniffed at hearing Schiaparelli's name (pronounced Skaparelli with a k sound) because, in my estimation based on comments attributed to Chanel, she thought Elsa an inferior seamstress/dressmaker. Of course, Chanel's sewing skills were incomparable, given where and how she received her own training, so Coco could indeed have accurately assessed Schiaparelli's technical skills.
However, what Chanel never really gave Schiap (a shortened version that was always used) credit for was her incredible artistic talent. Both women had a radically different view of fashion during their time - diametrically opposed to each other as well as to the styles of the day. This article delves into the genesis of exactly where and how the seeds of each of their respective styles were planted.
You will need to pick up a copy of the magazine in order to read my take on these two prodigious fashion talents. You will, additionally, be rewarded with other great articles as well as some seriously gorgeous designs. Knitting Traditions is always a feast for the eyes as well as the creative soul, so I would urge you to check out this year's edition. (And, for the record, I have an article in last year's edition as well on the first female to receive a pilot's license, so if you're into reading about kick-ass women ... )
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